Yellow

Yellow

There is the heaven we enter
through institutional grace
and there are the yellow finches bathing and singing
in the lowly puddle.


- Mary Oliver, from Evidence: Poems

Poem - "White Flowers" - by Mary Oliver

White Flowers
By Mary Oliver

Last night
in the fields
I lay down in the darkness
to think about death,
but instead I fell asleep,
as if in a vast and sloping room
filled with those white flowers
that open all summer,
sticky and untidy,
in the warm fields.
When I woke
the morning light was just slipping
in front of the stars,
and I was covered
with blossoms.
I don’t know
how it happened—
I don’t know
if my body went diving down
under the sugary vines
in some sleep-sharpened affinity
with the depths, or whether
that green energy
rose like a wave
and curled over me, claiming me
in its husky arms.
I pushed them away, but I didn’t rise.
Never in my life had I felt so plush,
or so slippery,
or so resplendently empty.
Never in my life
had I felt myself so near
that porous line
where my own body was done with
and the roots and the stems and the flowers
began.

From New and Selected Poems, Volume Two

Each Step is Natural, Perfect, Beautiful

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Black Oaks by Mary Oliver

Okay, not one can write a symphony, or a dictionary,

or even a letter to an old friend, full of remembrance
and comfort.

Not one can manage a single sound though the blue jays
carp and whistle all day in the branches, without
the push of the wind.

But to tell the truth after a while I'm pale with longing
for their thick bodies ruckled with lichen

and you can't keep me from the woods, from the tonnage

of their shoulders, and their shining green hair.

Today is a day like any other: twenty-four hours, a
little sunshine, a little rain.

Listen, says ambition, nervously shifting her weight from
one boot to another -- why don't you get going?

For there I am, in the mossy shadows, under the trees.

And to tell the truth I don't want to let go of the wrists
of idleness, I don't want to sell my life for money,

I don't even want to come in out of the rain.

Blue Iris: Poems and Essays

Mary Oliver - "Little Summer"

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Every summer
I listen and look
under the sun's brass and even
into the moonlight, but I can't hear

anything, I can't see anything --
not the pale roots digging down, nor the green
stalks muscling up,
nor the leaves
deepening their damp pleats,

nor the tassels making,
nor the shucks, nor the cobs.
And still,
every day,

the leafy fields
grow taller and thicker --
green gowns lofting up in the night,
showered with silk.

And so, every summer,
I fail as a witness, seeing nothing --
I am deaf too
to the tick of the leaves,

the tapping of downwardness from the banyan feet --
all of it
happening
beyond any seeable proof, or hearable hum.

And, therefore, let the immeasurable come.
Let the unknowable touch the buckle of my spine.
Let the wind turn in the trees,
and the mystery hidden in the dirt

swing through the air.
How could I look at anything in this world
and tremble, and grip my hands over my heart?
What should I fear?

One morning
in the leafy green ocean
the honeycomb of the corn's beautiful body
is sure to be there.

- Mary Oliver
West Wind: Poems and Prose Poems

Mary Oliver - "Messenger"

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"Messenger"

My work is loving the world.

Here the sunflowers, there the hummingbird-

equal seekers of sweetness.

Here the quickening yeast; there the blue plums.

Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?

Am I no longer young, and still not half-perfect? Let me

keep my mind on what matters,

which is my work,

which is mostly standing still and learning to be

astonished.

The phoebe, the delphinium.

The sheep in the pasture, and the pasture.

Which is mostly rejoicing, since all the ingredients are here,

which is gratitude, to be given a mind and a heart

and these body-clothes,

a mouth with which to give shouts of joy

to the moth and the wren, to the sleepy dug-up clam,

telling them all, over and over, how it is

that we live forever.

-Mary Oliver

To read Mary Oliver's book: Thirst: Poems

Mary Oliver - "Mindful"

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Mindful

Every day
I see or hear
something
that more or less

kills me
with delight,
that leaves me
like a needle

in the haystack
of light.
It was what I was born for -
to look, to listen,

to lose myself
inside this soft world -
to instruct myself
over and over

in joy,
and acclamation.
Nor am I talking
about the exceptional,

the fearful, the dreadful,
the very extravagant -
but of the ordinary,
the common, the very drab,

the daily presentations.
Oh, good scholar,
I say to myself,
how can you help

but grow wise
with such teachings
as these -
the untrimmable light

of the world,
the ocean's shine,
the prayers that are made
out of grass?

~ Mary Oliver ~

- To read this book: Why I Wake Early: New Poems

"Of Love" by Mary Oliver

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I have been in love more times than one,
thank the Lord. Sometimes it was lasting
whether active or not. Sometimes
it was all but ephemeral, maybe only
an afternoon, but not less real for that.
They stay in my mind, these beautiful people,
or anyway beautiful to me, of which
there are so many. You, and you, and you,
whom I had the fortune to meet, or maybe
missed. Love, love, love it was the
core of my life, from which, of course, comes
the word for the heart. And, oh, have I mentioned
that some of them were men and some were women
and some-- now carry my revelation with you--
were trees. Or places. Or music flying above
the names of their makers. Or clouds, or the sun
which was the first, and the best, the most
loyal for certain, who looked so faithfully into
my eyes, every morning. So I imagine
such love for the world-- its fervency, its shining, its
innocence and hunger to give of itself-- I imagine
this is how it began.

- Mary Oliver, Red Bird: Poems

Mary Oliver "Rice"

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Rice
By Mary Oliver

It grew in the black mud.
It grew under the tiger's orange paws.
Its stems thicker than candles, and as straight.
Its leaves like the feathers of egrets,
but green.

The grains cresting, wanting to burst.
Oh, blood of the tiger.

I don't want you to just sit at the table.
I don't want you just to eat, and be content.
I want you to walk into the fields
Where the water is shining, and the rice has risen.
I want you to stand there,
far from the white tablecloth.
I want you to fill your hands with mud,
like a blessing.

Mary Oliver

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"The Morning Walk"

There are a lot of words meaning thanks.
Some you can only whisper.
Others you can only sing.
The peewee whistles instead.
The snake turns in circles,
the beaver slaps its tail
on the surface of the pond.
The deer in the pinewoods stamps his hoof.
Goldfinches shine as they float through the air.
A person, sometimes, will hum a little Mahler,
Or put arms around old oak tree.
Or take out lovely pencil and notebook to find a few touching, kissing words.

source: ”The morning walk” in: Oliver, M. (2004).
Long Life: Essays and Other Writings

Da Capo Press, p. 83.

Mary Oliver, "Morning at Blackwater"

"Morning at Blackwater"

It's almost dawn
and the usual half-miracles begin
within my own personal body as the light
enters the gates of the east and climbs
into the fields of the sky, and the birds lift
their very unimportant heads from the branches
and begin to sing; and the insects too,
and the rustling leaves, and even
that most common of earthly things, the grass,
can't let it begin - another morning - without
making some comment of gladness, respiring softly
with the honey of their green bodies; and the white
blossoms of the swamp honeysuckle, hovering just where
the path and the pond almost meet,
shake from the folds of their bodies
such happiness it enters the air of fragrance,
the day's first pale and elegant affirmation.
And the old gods liked so well, they say,
the sweet odor of prayer.


~Mary Oliver, from Blue Iris: Poems and Essays

Mary Oliver, "Alligator Poem"

mary oliver: alligator poem

I knelt down
at the edge of the water,
and if the white birds standing
in the tops of the trees whistled any warning
I didn't understand,
I drank up to the very moment it came
crashing toward me,
its tail flailing
like a bundle of swords,
slashing the grass,
and the inside of its cradle-shaped mouth
gaping,
and rimmed with teeth--
and that's how I almost died
of foolishness
in beautiful Florida
But I didn't.
I leaped aside, and fell,
and it streamed past me, crushing everything in its path
as it swept down to the water
and threw itself in,
and, in the end,
this isn't a poem about foolishness
but about how I rose from the ground
and saw the world as if for the second time,
the way it really is.


The water, that circle of shattered glass,
healed itself with a slow whisper
and lay back
with the back-lit light of polished steel,
and the birds, in the endless waterfalls of the trees,
shook open the snowy pleats of their wings, and drifted away,
while, for a keepsake, and to steady myself,



I reached out,
I picked the wild flowers from the grass around me--
blue stars
and blood-red trumpets
on long green stems--
for hours in my trembling hands they glittered
like fire.

Morning Prayer - Mary Oliver

Every morning
the world
is created.
Under the orange

sticks of the sun
the heaped
ashes of the night
turn into leaves again

and fasten themselves to the high branches--
and the ponds appear
like black cloth
on which are painted islands

of summer lilies.
If it is your nature
to be happy
you will swim away along the soft trails

for hours, your imagination
alighting everywhere.
And if your spirit
carries within it

the thorn
that is heavier than lead--
if it's all you can do
to keep on trudging--

there is still
somwhere deep within you
a beast shouting that the earth
is exactly what it wanted--

each pond with its blazing lilies
is a prayer heard and answered
lavishly,
every morning,

whether or not
you have ever dared to be happy,
whether or not
you have ever dared to pray.

~Mary Oliver, from Dream Work

"White-Eyes" by Mary Oliver

White-Eyes

by Mary Oliver

In winter

all the singing is in

the tops of the trees

where the wind-bird

with its white eyes

shoves and pushes

among the branches.

Like any of us

he wants to go to sleep,

but he's restless—

he has an idea,

and slowly it unfolds

from under his beating wings

as long as he stays awake.

But his big, round music, after all,

is too breathy to last.

So, it's over.

In the pine-crown

he makes his nest,

he's done all he can.

I don't know the name of this bird,

I only imagine his glittering beak

tucked in a white wing

while the clouds—

which he has summoned

from the north—

which he has taught

to be mild, and silent—

thicken, and begin to fall

into the world below

like stars, or the feathers

of some unimaginable bird

that loves us,

that is asleep now, and silent—

that has turned itself

into snow.

Source: Why I Wake Early: New Poems

An Afternoon In The Stacks

by Mary Oliver

Closing the book, I find I have left my head
inside. It is dark in here, but the chapters open
their beautiful spaces and give a rustling sound,
words adjusting themselves to their meaning.
Long passages open at successive pages. An echo,
continuous from the title onward, hums
behind me. From in here, the world looms,
a jungle redeemed by these linked sentences
carved out when an author traveled and a reader
kept the way open. When this book ends
I will pull it inside-out like a sock
and throw it back in the library. But the rumor
of it will haunt all that follows in my life.
A candleflame in Tibet leans when I move.

"The man who does not know nature, who does not walk under the leaves as under his own roof, is partial and wounded. I say this even as wilderness and our indifference, Nature there will always be, but it will not be what we have now, much less the deeper fields and woodlands many of us remember from our childhood. The worlds of van Gogh and Turner and Winslow Homer, and Wordsworth too, and Frost and Jeffers and Whitman, are gone, and will not return. We can come to our senses yet, and rescue the world, but we will never return it to anything like its original form."

--Mary Oliver, Winter Hours: Prose, Prose Poems, and Poems

The snow
began here
this morning and all day
continued, its white
rhetoric everywhere
calling us back to why, how,
whence such beauty and what
the meaning; such
an oracular fever! flowing
past windows, an energy it seemed
would never ebb, never settle
less than lovely! and only now,
deep into night,
it has finally ended.
The silence
is immense,
and the heavens still hold
a million candles, nowhere
the familiar things:
stars, the moon,
the darkness we expect
and nightly turn from. Trees
glitter like castles
of ribbons, the broad fields
smolder with light, a passing
creekbed lies
heaped with shining hills;
and though the questions
that have assailed us all day
remain — not a single
answer has been found –
walking out now
into the silence and the light
under the trees,
and through the fields,
feels like one.

~Mary Oliver
excerpted from American Primitive

Last night
the rain
spoke to me
slowly, saying,

what joy
to come falling
out of the brisk cloud,
to be happy again

in a new way
on the earth!
That's what it said
as it dropped,

smelling of iron,
and vanished
like a dream of the ocean
into the branches

and the grass below.'Then it was over.
The sky cleared.
I was standing

under a tree.
The tree was a tree
with happy leaves,
and I was myself,

and there were stars in the sky
that were also themselves
at the moment,
at which moment

my right hand
was holding my left hand
which was holding the tree
which was filled with stars

and the soft rain---
imagine! imagine!
the long, and wondrous journeys
still to be ours.

~ Mary Oliver

The Summer Day

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean--
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down--
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don't know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn't everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

In Singapore, in the airport,
a darkness was ripped from my eyes.
In the women's restroom, one compartment stood open.
A woman knelt there, washing something
in the white bowl.

Disgust argued in my stomach
and I felt, in my pocket, for my ticket.

A poem should always have birds in it.
Kingfishers, say, with their bold eyes and gaudy wings.
Rivers are pleasant, and of course trees.
A waterfall, or if that's not possible, a fountain
rising and falling.
A person wants to stand in a happy place, in a poem.

When the woman turned I could not answer her face.
Her beauty and her embarassment struggled together, and
neither could win.
She smiled and I smiled. What kind of nonsense it this?
Everybody needs a job.

Yes, a person wants to stand in a happy place, in a poem.
But first we must watch her as she states down at her labor,
which is dull enough.
She is washing the tops of the airport ashtrays, as big as
hubcaps, with a blue rag.
Her small hands turn the metal, scrubbing and rinsing.
She does not work slowly, nor quickly, but like a river.
Her dark hair is like the wing of a bird.

I don't doubt for a moment that she loves her life.
And I want her to rise up from the crust and the slop
and fly down to the river.
This probably won't happen.
But maybe it will.
If the world were only pain and logic, who would want it?

Of course, it isn't.
Neither do I mean anything miraculous, but only
the light that can shine out of a life. I mean
the way she unfolded and refolded the blue cloth,
the way her smile was only for my sake; I mean
the way this poem is filled with trees, and birds.

~Mary Oliver

The Journey
By Mary Oliver

One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice --
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do --
determined to save
the only life you could save.